installations on the shorefront during self isolation
over the horizon, 2020
to escape global warming or try to see into the future? ladder, ocean. Separation Creek, Vic
fundamentals for life, 2020
toilet role, ocean, pasta, Apollo Bay, Vic
evolution, 2020
as we emerge from the saline sea...
(I am not a robot in binary code)
Apollo Bay, Vic
Noble Park is a colourful, vibrant and aromatic suburb of Melbourne with a high density of resettled refugees from diverse ethnic communities. COMMUNITY is a temporary reflection of members of that community activated by each passing pedestrian in a local laneway. Acrylic mirrored bricks were stuck to the face of the brick wall on one side of the lane. The mirrors gather at the centre of the laneway as a fragmented doorway. An incomplete reflection of a fragmented self gathered into a community.
community, 2018
acrylic mirror panels
image: Mark Wilson
community, 2018
acrylic mirror panels
image: Mark Wilson
community, 2018
acrylic mirror panels
image: Mark Wilson
As a second iteration of COMMUNITY, all of the acrylic mirror bricks were stealthily removed leaving only the Velcro dots. Wool purchased from the Salvation Army store behind the brick wall, presented an opportunity for expression through an interactive join-the-dots with the public in the laneway.
string theory, 2018
wool, Velcro dots
image: Mark Wilson
string theory, 2018
wool, Velcro dots
image: Mark Wilson
string theory, 2018
wool, Velcro dots
image: Mark Wilson
he As a Transformation proposal to the City of Greater Dandenong in a Noble Park carpark, PLAYFUL LANGUAGE is both an invitation to play a game of twister for the parking cars and, when viewed form the adjacent apartment building, a talk bubble of a the communal language of colour, asking …?
playful language, 2018
line marking paint,
image: Mark Wilson
playful language, 2018
line marking paint,
image: Mark Wilson
playful language, 2018
line marking paint,
image: Mark Wilson
We place an extraordinary amount of trust in a painted line on an asphalt surface to cross any road safely. Lines are a graphic form of communication and control, from writing to lines on a road, to lines on a map. These are a series of playful, unsanctioned temporary piss-takes of lines that we usually take for granted.
artist at work, 2018
image: Anna McArthur-Dowty
unravelling, 2018
talcum powder
why?, 2018
talcum powder
miracle or catatrophe? 2018
talcum powder
no standing, 2018
talcum powder
miracle or catastrophe?, 2018
talcum powder
Evanecere is a 'pataphysical' work in 3 parts, a cube of water hovering above Sandy Point Breakwater, the negative cube of water cut from the bay, and the borderline of Melbourne Water’s jurisdiction which is coincident with the water line of the breakwater. It is an exploration firstly into the ideas of lines on a map defining ownership, responsibility and control, secondly, into the idea of giving water a measurable form and finally the hypothetical nature of the project which opens the future
evanescere, 2018
evanescere, 2018
Sunset is an iconic moment in Western Australia, the sun hovers above the horizon, becomes almost fluid as it settles and dissolves into the sea. Aube is that moment, frozen on the sand of Cottesloe Beach.
aube, 2007
powdercoated perforated aluminium panels, stainless steel screws and aluminium nutserts
image: The West Australian
aube, 2007
powdercoated perforated aluminium panels, stainless steel screws and aluminium nutserts
image: Merren McArthur
aube, 2007
powdercoated perforated aluminium panels, stainless steel screws and aluminium nutserts
image: Merren McArthur
Kew House is a private residence in Kew, Melbourne. It is included in my Public Art works because the entire northern façade is a perforated aluminium, openable screen, the image taken from BUSH MEDICINE DREAMING, 2004 by Gloria Petyarre with her permission and acknowledgement. The sunlight that penetrates through the screen, projects the stylised image of the painting onto the internal walls and floor, arcing through the house. Fragments of the image are backlit at night as room are occupied.
Kew House, 2013
Design Architect- Murray Dowty, Site Architect- Murray Dowty. Image in screen on northern façade with, BUSH MEDICINE DREAMING, 2004, Gloria Petyarre, with permission and acknowledgment of the artist.
image: David Ascoli
Kew House, 2013
Design Architect- Murray Dowty, Site Architect- Murray Dowty. Image in screen on northern façade with, BUSH MEDICINE DREAMING, 2004, Gloria Petyarre, with permission and acknowledgement of the artist.
image: David Ascoli
Kew House, 2013
Design Architect- Murray Dowty, Site Architect- Murray Dowty. Image in screen on northern façade with, BUSH MEDICINE DREAMING, 2004, Gloria Petyarre, with permission and acknowledgement of the artist.
image: David Ascoli
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